Disney/Marvel's "Eternal Race" this weekend once again topped the North American box office with a box office of 27.5 million US dollars-61% down from the opening of 71.3 million US dollars-because it resisted the newcomer Clifford, the red dog of Paramount Germany. The latter movie opened firmly in second place, and the special "Belfast" of "Focus Pictures" entered the top 10 for the first time.
Given that this movie is the first Marvel movie to receive a "rotten" rating on Rotten Tomatoes, the second-year decline of "Eternal Race" is better than some people expected-not to mention the less positive audience emotions than usual ( Its audience rating in the comment aggregator is currently 80%, which is lower than the MCU title). On the other hand, this is still one of the biggest second weekend declines in the history of Marvel movies. That’s 62%. Ten days after the issuance, Eternals' total revenue was US$118.8 million.
The second-ranked red dog Clifford's total income in three days is estimated to be 16.42 million U.S. dollars. Since its opening on Wednesday, the total revenue is 22 million U.S. dollars, exceeding the studio's five-day forecast of 1.5-17 million U.S. dollars. It’s worth noting that the family-friendly adaptation of this beloved children’s book series made its debut on Paramount’s streaming platform, reducing its theater box office revenue. Nonetheless, this is a good start for this long-delayed film. It was shown in theaters for its first day on Wednesday (when it was shown in 3,407 locations) to take advantage of Thursday’s Veterans’ Day holiday. At that time, many children were off school. On Friday, its footprint expanded to 3,700 locations.
Clifford's opening screen defeated the three-day "Paw Patrol: The Movie", another family game that recently debuted on Paramount. The latter film received $13.15 million in box office revenue from 3,184 locations during its premiere weekend in August, but unlike Clifford, it did not show at Regal Cinemas. Like Paw Patrol, Clifford also benefits from the built-in IP, which attracts home audiences who read and enjoy widely-loved books. It also begins the first week when children between the ages of 5 and 11 are eligible to receive the coronavirus vaccine-although the impact on the initial population may be small, because children who receive the first dose this week will not be vaccinated until sometime next month.
The studio reported that Clifford’s index in the Midwest, South Central, and Southern United States was too high. It is foreseeable that parents and children accounted for 78% of the audience at the opening weekend.
Clifford's long-term prospects seem bright, at least from the recent strong performance released by other families. Although last month’s premiere weekend box office was disappointing, with a box office of $7.3 million, Disney/20th Century Studios Ron’s "Wrong" performed well in the next few weeks and fell less than last weekend 5% (partly due to the lack of family-friendly content in theaters). Clifford’s positive rating is not high—the current rating on Rotten Tomatoes is 48%—but the RT audience rating is an encouraging 94%. It also received an “A” Cinemascore and PostTrak 4.5/5, indicating the goal Extensive satisfaction in the presentation. Equally encouraging is the 74% increase in the film from Friday to Saturday.
Dune performed strongly during the fourth weekend of its release, dropping only 29% to third place, estimated at $5.5 million. Although Warner Bros. made its debut on HBO Max at the same time, the Warner Bros. title seems to benefit from emphasizing the advantages of viewing it on the largest possible screen (it was shot specifically for the IMAX format, and this movie flourished in this movie) develop). So far, the total box office of this sci-fi epic is 93.13 million U.S. dollars, which is expected to soar to the 100 million U.S. dollar mark in the next week or two.
No Time to Die also performed well in the sixth weekend of its release, dropping only 24% to an estimated $4.62 million, ranking fourth. To date, the last film of the James Bond franchise adapted by Daniel Craig has grossed $150.48 million, making it the sixth highest grossing nation ever in North America. German movie. At the end of the run, it should exceed the day of death starring Pierce Brosnan ($160.94 million), regardless of inflation, ranking No. 5 in history.
Another October blockbuster "Venom: The Holocaust" ranked fifth with $4 million on the seventh weekend. So far, Sony's box office has reached 202.71 million U.S. dollars, which is the second pandemic film in North America to exceed 200 million U.S. dollars after "Hisashi" and "Legend of the Ten Rings". The film passed the mark in late September. Let There Be Carnage is only 4% behind the first Venom, which had a revenue of $210.07 million at the same time.
Ron's Gone Wrong dropped only 38% to sixth place in the fourth weekend of the release, estimated to be $2.2 million, and to date is $20.8 million. For the family champion, this is a disappointing total, although it has slowed down in the past few weeks.
In seventh place is Searchlight Pictures’ French Express, which fell 29% in the fourth weekend of its release to an estimated US$1.84 million. To date, the total revenue of the film directed by Wes Anderson is $11.62 million—despite the ongoing (albeit waning) epidemic in North America, which is not bad for professional distribution.
Belfast ranks eighth among 580 screens with a price of US$1.8 million, with an average price of US$3,111 per screen. This Oscar hit film was well received by film critics and received an 88% "fresh" rating on Rotten Tomatoes. According to the film's 90% audience ratings on RT and A-Cinemascore, audiences seem to like it too. It is foreseeable that the age of the audience presentation is too old, and 73% of the audience at the opening weekend are over 35 years old. Expect it to expand further next week to try to build its early momentum.
Ranked ninth is Princess Diana's Spencer. After expanding to 1,265 locations, the total revenue to date is 4.71 million U.S. dollars, and the estimated total revenue is 1.53 million U.S. dollars. In the end, Searchlight Pictures’ Antlers ranked tenth with an estimated revenue of 1.2 million U.S. dollars, which brought the total box office of this horror film to 9.64 million U.S. dollars.
Eternals’ international box office revenue in 49 regions is estimated to be US$48 million, including its first screenings in Indonesia (US$3.3 million) and the UAE (US$1.3 million), as well as the highest box office in Russia, and movie theaters in the country. After the scope was fully reopened, its box office revenue was US$2.9 million. To date, the largest overseas regions include South Korea (US$22 million), the United Kingdom (US$14.3 million), France (US$11.5 million) and Mexico (US$10.2 million). So far, its total international revenue is 162.6 million U.S. dollars (excluding China, and the release date is to be determined), and its global total revenue is 281.4 million U.S. dollars.
No Time to Die continues to achieve amazing performance overseas, earning approximately US$23.94 million in revenue from 72 regions. It ranked first in Australia with $8.2 million, marking the country's largest debut since December 2019-the country has suffered some of the strictest pandemic lockdowns in the world. No Time to Die also increased by US$4.4 million (US$57.94 million) in China, US$2.2 million in Germany (US$70.5 million in total), and US$2.05 million in the UK and Ireland (US$12.605 million in total).
Venom: Let There Be Carnage’s box office revenue in 55 markets is estimated to be US$7.7 million, raising its total overseas revenue to US$238.8 million and total global revenue to US$441.5 million.
Dune’s overseas income is estimated at 6.8 million U.S. dollars, including U.K.’s 1.6 million U.S. dollars and South Korea’s 1.4 million U.S. dollars. The total international box office of this film is now 258.1 million US dollars, and the global total box office is 351.2 million US dollars. So far, the top regions are China (38 million U.S. dollars), France (30.7 million U.S. dollars), the United Kingdom (26 million U.S. dollars), Germany (21.4 million U.S. dollars) and Russia (21.1 million U.S. dollars). The film will be screened in Australia and New Zealand on December 2.
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